Except where otherwise noted, the content by Fred Harden is licensed under a Creative Commons Attribution 4.0 International License.
This only applies to content I've created of course
This only applies to content I've created of course
A place for the re-membering of things
“There ought to be texts on the subject, authoritative texts that would enable one to deal with these situations, far commoner than is generally believed.”
I could never say I love them. In fact I was brought up to hate them and like a lapsed Catholic still feel there is an original sin that I’m denying by appreciating their beauty.
Basho’s travel writing give us insight into what drove this poet to keep searching for meaning and enlightenment. It inspired lots of experimental film titles, including some of mine, here’s one. Explained.
I took a roll of 35mm images around my parents La Trobe Cinema and lent them to my mother, both now long gone. These are from a 4fps film of the day when Jim Lawrence leased it to my parents in June 1973. That I still have.
We need our computer folk heroes, and if they come with an air of danger around them, it restores the feeling that we were on the digital frontier. Another story from MM, for the last print issue June 1995.
Artist Bill O’Donovan came into the MM office with his folio, just as we were doing our last print issue, so we couldn’t offer him any work. All we could suggest was, that he stick around, and we’ll do something together on the web.
What could be more romantic than a boat trip down the Yonne river? A cemetery of course. This was the start of the journey. Look out for the locks! Video coming soon.
In June 2009 visiting Jan’s friend Jane, who was working in Alice Springs, we drove out to Hermannsburg Mission, known as the home of, and the landscapes of painter Albert Namatjira.
There were lots of filmmaker friends and even cameras we passed around, so the results are of variable quality. I’m grateful to have all this. In spite of omens there’s happiness here (and a lot of hair!)
In 2016, a group of the original 1966 RMIT SRC were invited back for a 50 years Anniversary. I said yes, and I’ll take some video. People change in fifty years, some more than others.
“Today everything is archive and everyone an archivist. People everywhere constantly create, collect, document, make lists, inventories, classify, store, retrieve, and reuse all kinds of information.” Here’s a look at forgetting things.
Mike Kuchar came to present his and identical twin brother George’s films at the Coop. We introduced him to a few of our filmmaker friends – the Super 8 movie shows a night at Michael Lee (and Magda’s) house and recording a video interview.
Hugh McSpedden was always part of the Melbourne alternative film community from the early days of the Film Co-op. His light shows were integral to the T.F. Much Ballroom and other concerts I attended. I’m finding bits in my film archives of him, so I’ve started this page.
“Truffaut’s ‘The 400 Blows’ was only the setup. ‘Breathless’ was the knockout blow. If ‘The 400 Blows’ was the February revolution, ‘Breathless’ was October.” Richard Brody.
What’s hard to remember is that we had little option for portable digital image storage other than floppy disk, or limited built-in RAM. This was my first digital camera, recording stills, movies and sound on a mini CD.