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This only applies to content I've created of course
This only applies to content I've created of course
A place for the re-membering of things
In June 2009 visiting Jan’s friend Jane, who was working in Alice Springs, we drove out to Hermannsburg Mission, known as the home of, and the landscapes of painter Albert Namatjira.
There were lots of filmmaker friends and even cameras we passed around, so the results are of variable quality. I’m grateful to have all this. In spite of omens there’s happiness here (and a lot of hair!)
In 2016, a group of the original 1966 RMIT SRC were invited back for a 50 years Anniversary. I said yes, and I’ll take some video. People change in fifty years, some more than others.
“Today everything is archive and everyone an archivist. People everywhere constantly create, collect, document, make lists, inventories, classify, store, retrieve, and reuse all kinds of information.” Here’s a look at forgetting things.
Mike Kuchar came to present his and identical twin brother George’s films at the Coop. We introduced him to a few of our filmmaker friends – the Super 8 movie shows a night at Michael Lee (and Magda’s) house and recording a video interview.
Hugh McSpedden was always part of the Melbourne alternative film community from the early days of the Film Co-op. His light shows were integral to the T.F. Much Ballroom and other concerts I attended. I’m finding bits in my film archives of him, so I’ve started this page.
“Truffaut’s ‘The 400 Blows’ was only the setup. ‘Breathless’ was the knockout blow. If ‘The 400 Blows’ was the February revolution, ‘Breathless’ was October.” Richard Brody.
What’s hard to remember is that we had little option for portable digital image storage other than floppy disk, or limited built-in RAM. This was my first digital camera, recording stills, movies and sound on a mini CD.
Another update from the Country Diary. About a visit to the property of the National Party member for Monaro in 2002. More osage, some tree-lucerne. Sheep. Bigger pictures. And those Brindabellas.
This is from 2002, and my Bungendore Country Diary about some ‘Osage Events’ that synchronised. You can either read the story then watch the pictures or just wing it and hit play. Think of this as a slide show. With music. And words.
At the National Museum of Australia, the C.W.A had gathered their favourite Anzac biscuits and Margaret and a staff chef picked out an audience member to make a batch. ( Do you like yours chewy or crunchy?)
“Up there in the night air among the high-rises, music dies as you fire up your fake sunrises: your light is the birds’ last darkness.” Margaret Atwood
Before I started my web Another Country Diary I made these few pages to show to friends when they asked what my life was like in a country town, while I worked in Canberra and Sydney.
I was still pining from losing Australian MultiMedia and couldn’t stop scratching the ‘publishing’ itch. ‘Written so you can understand it’.
November 1995. This was a ‘walk-through’ demo, part of how we saw Murdoch Magazines’ many women’s lifestyle publications working on the web -via Conde Nast’s experiment Epicurious.