Multimedia History

Captain Crunch

The original phonehacker

We need our computer folk heroes, and if they come with an air of danger around them, it restores the feeling that we were on the digital frontier. Another story from MM, for the last print issue June 1995.

Bill O'Donovan - the Secret City 'Dementia' Interview

from Australian MultiMedia 2000

Artist Bill O’Donovan came into the MM office with his folio, just as we were doing our last print issue, so we couldn’t offer him any work. All we could suggest was, that he stick around, and we’ll do something together on the web.

Mike Kuchar

A visit by a Kuchar Brother

Mike Kuchar came to present his and identical twin brother George’s films at the Coop. We introduced him to a few of our filmmaker friends – the Super 8 movie shows a night at Michael Lee (and Magda’s) house and recording a video interview.

Hugh McSpedden

Light. Show. Artist

Hugh McSpedden was always part of the Melbourne alternative film community from the early days of the Film Co-op. His light shows were integral to the T.F. Much Ballroom and other concerts I attended. I’m finding bits in my film archives of him, so I’ve started this page.

The legacy of Margaret Fulton

...and your mother's cookbook

At the National Museum of Australia, the C.W.A had gathered their favourite Anzac biscuits and Margaret and a staff chef picked out an audience member to make a batch. ( Do you like yours chewy or crunchy?)

Digital Mechanics Newsletter

News from the workshop July-August 1997

I was still pining from losing Australian MultiMedia and couldn’t stop scratching the ‘publishing’ itch. ‘Written so you can understand it’.

Epicurious - the demo

'Is this the future of magazines?' we asked.

November 1995. This was a ‘walk-through’ demo, part of how we saw Murdoch Magazines’ many women’s lifestyle publications working on the web -via Conde Nast’s experiment Epicurious.

(Film) Notes on Technology

“alternative”, “avant-garde”,“experimental” and “independent” - whatever.

How our tools change the way we work interests me most, and not just theatrical mainstream. For this Cinema Papers piece I selected from the first 54 issues of the Cantrill’s Filmnotes magazine talking about ‘alternate’ film and video technology.

The Interactive Movie is Dead

(George Lucas said so)

Adrian Carr, Australian film editor and director talked to me about interactive components for The Pandora Directive game from 1997, and Power Rangers TV shoots. Updated from Cinema Papers #115

Here's looking at you Geek 1998

How the computer industry saw itself in the press

This captures a time of media change nicely I think. It was when suddenly it was cool to write about computers, and the advertisers rushed to The Age, Sydney Morning Herald and The Australian computer sections. That’s where I was writing.

SYTE magazine - Launch review

From MM magazine September 1996

I think Tony Sarno has created another monster, this one may be Godzilla and stomp across standard newspaper conventions, and it might have to battle to win its own audience. On the positive side, almost like Godzilla, there’s going to be a new episode every week and that’s a lot of opportunity to get it right.

Adobe Design Conference 1996

SYTE article - The Australian

“The road connects things, the road has the potential of the continually changing viewpoint, a different driveway every night. The only thing about the road that is frustrating, is that it would be terrific if you could turn a corner and really be in a different place. On the Internet you can do that with a simple link. Click on a URL and you are in some fantastic place you never imagined.” Dana Atchley

A story about Dana Atchley

A digital story, therefore vulnerable to magnets

Dana said it was the best thing that had been written about him and he linked to it for years. Besides being flattered (after all it was just using his words) I like it too. He died in San Francisco on December 13 2000.

Tin

Not so tinny. From the archive.

This started as a gallery of my toy robots until I began musing on why I collected them. That brought up all the usual stuff, god, drugs, sex, myths and creativity. It was originally made in Flash in 1998.

A change of state

From physical to digital images

In 1986, I heard that the legendary Colorfilm laboratory liaison Bill Gooley was dying of cancer. I had met him a few times so I knew had to tell his story for Cinema Papers. Somewhat anxiously I rang him to see if he’d like to talk for the Technicalities section.

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